|Good People, I’m just returning to Encinitas after an exotic spin in the Azerbaijani Phrygian Universe. Picture the ultra hip Skirball Cultural Arts Center performance space filled with folks from all cultures taking in a musical journey from the roots music of the middle east meets western jazzologists. We had a great time with Imamyar and his cohorts and learned some of the finer points of his music and culture. And they too, I think got a taste of how it rolls when you let jazz music invade your life. From there the action moved from the concert stage to the banquet room with spectacular Azerbaijani inspired food for everyone. Soft diplomacy flowing in the form of music and cuisine working it’s wonders!And the celebration continues this week in San Diego with a repeat performance at the Westin Hotel. The only bummer is that it’s sold out. I really wish you could come and check it out but a bunch of other folks have already figured it out.
I had an inspired musical night with Gilbert Castellanos at the Westgate Hotel last weekend. This is a gig he does every week and his followers are super listeners with an innate knowledge of jazz mixed in with loads of enthusiasm. And the paramount reason it’s all working so well is because Gilbert’s trumpet playing is out of this world. He plays with a beautiful sound, great time, and his musical ideas, which are rooted in the history of jazz and beyond, flow from his trumpet effortlessly. It was pure magic and we even garnered an excellent review out of the deal. Check it out.
Up for this week, tonight (Thursday) we’re getting our trial run with a new set of music with my group Bop Moderno. It’s me along with Gilbert on trumpet, my brother Tripp on sax and flute, Gunnar on bass and Duncan on drums. I’ve always loved the sound of those classic Blue Note groups with sax and trumpet riding out front, stating the themes and who better to realize this sound than with Gilbert and Tripp. The repertoire for the group consists of my originals that I’ve spent the last couple of weeks arranging for two horns. It’s a SpragueBop wind and brass sprint influenced by N.Y.C., Brasil, New Orleans and back.
And just to let you know, we’re bringing the same circus to LA and Carlsbad next week. We’ll be at the Los Angeles Music Academy on February 12 and the Museum of Making Music on February 16. I hope you can make it to one of these performances!
“How Do You Rehearse the Unknown”
Thus spake the stellar saxophonist Wayne Shorter. He’s professing this and other zany Zen truths in this great PBS interview. I’ve always loved his music and to hear him talk about it cracks me up. What’s he’s saying? It’s deep, it’s brilliant, it’s out there and it’s just like his music. Bravo!
That’s it for this week and thanks for tuning in, Peter
“Namaste” I wrote “Namaste” back in 1980 and for many years it was at the top of our song list for live shows. We must of played it a zillion times. The beauty of the song was it’s willingness to be transformed each night into a unique improvisational realm and journey. We’d go fast, we go half time, we’d make the pedal point be the solo section and then the next night we’d loop the bridge section and that’d be where we’d hang out. When you play a tune this much, there comes a time when you give it some fully deserved R & R. It hasn’t been on the scene for while but folks, I’m happy to report that “Namaste” is back, well rested and ready for some airtime. It’s now outfitted with harmonies for trumpet and sax and is occupying the closing number slot on the first set of our upcoming BopMod shows. The word namaste translates as “I honor the light that is within you” and is used as a greeting in India. Check it out here…