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| Peter Sprague and Pass The Drum | |||||||||||||||
| 1/1/2003 | |||||||||||||||
| Here is a good story with a good ending.
A couple of years back I met a fellow named Phil Tauber and he was calling me because he wanted to record at my studio with his daughter Jerra. Phil plays the trumpet and Jerra is a singer, songwriter, and guitarist. Their plan was to do this cross genre CD that pulled in Jerra's hard hitting vocals with Phil's more jazz influenced trumpet playing. The project rocked strong and we had a horn section in the upstairs studio playing these cool lines against Jerra's Gen-X vocal delivery. The highpoint for me was when they talked me into, or truthfully, allowed me to play a distorted guitar solo with a wah-wah pedal. Bebop intertwining with Jimi Hendrix, grinding back to my roots... Many years lapsed and then a couple of months ago Phil and his wonderful wife Gayle popped into Dizzy's to catch our group Pass The Drum. The music was working that night and at the end of the gig Phil and Gayle updated me on Jerra's whereabouts. Turns out she's getting married in a couple of months and the wedding is going to take place in Hawaii. "And by the way, would our band be up for flying over to play some samba for the festivities?" Hawaii is a one of my absolute favorite places and having the opportunity to take the band along for the ride made the deal that much sweeter. I answered yes. I've long wanted to record Pass The Drum and having the Hawaii dates set in stone firmed up my commitment to pull this off. I moved a project that I previously had planned to a later date, and then set out with the layers of details to pull off the Pass recording. We cranked it for a month and a half and got the recording done and off to the duplicators. The deadline looked close but because of a few glitches, we ended up boarding the plane for Hawaii without the CD in hand. The parameters of Murphy's Law were in full spin now. We played our first show without the CD but lucked out when Tripp's wife Sofia, (who joined us five days later) was able to bring a suitcase full on her flight over. We then played our big show in Kauai and not only did the band burn it up, we broke out the CD and spread them around in their new scorching home in paradise. All good things seem to work out... The name of the CD and the band is Pass the Drum. We are a seven piece group featuring Peter Sprague on the guitar; Tripp Sprague on saxophone, flute, and percussion; Ken Dow on bass; Duncan Moore on drums; Tom Aros on percussion; and vocals by Coral MacFarland Thuet and Leonard Patton. The name of our group evolved from an incident at Ki's Restaurant back in 1999. We were getting ready to start the gig and rather than begin with the whole band playing all at once, we instead ventured off into a tan tan drum solo in which the drum was passed around to all members of the group. It was an invocation on what was to follow - music with a percussive core, an exploration into the magic and influence of Brazil, passing the drum and sharing the spirit of sound. The band grew from our love of Brazilian music, jazz, and elements of American pop music. As a young fellow I was absorbed in the music of Joao Gilberto and Stan Getz and from there discovered Djavan, Sergio Mendes, Caetano Veloso, and Ivan Lins among many others. Since the early days I've had different groupings of folks who had this same pull towards the samba. Earlier groups included vocalists Kevyn Lettau and Kleber Jorge, bassist John Leftwich, and horn players James Zollar and Lori Bell. Here are a couple of photos of the earlier incarnations of the band. 1980's Band (left to right) 1990's Band (left to right) When we first started Pass The Drum, we played primarily all Brazilian music and then over time, slowly added other stylistic elements to our repertoire. One of our prime goals is to bring fresh treatments to each song and to explore the World of Opposites. For example, we play a Jobim bossa nova in the style of John Coltrane, a Beatles tune set into a bossa nova/Pat Metheny groove, and a Bob Marley reggae hit morphed into a burning straight-ahead modal movement. We also set out to retain the jazz element of improvisation within the band and to let each player's solo abilities shine. When it's all working, the group has the looseness of a small group blended with the sonic color of a larger ensemble. Here is a sample of some of the tunes we explore: Wave by Antonio Carlos Jobim Flor de Lis by Djavan Is This Love by Bob Marley And I Love Her by Lennon and McCartney Every Little Kiss by Bruce Hornsby Water Tai Chi by Peter Sprague Passarim by Antonio Carlos Jobim Instincts of the Heart by Peter Sprague Love is the Seventh Wave by Sting Here is some information on each of the players: Peter Sprague - guitar He has performed with Chick Corea, Hubert Laws, David Benoit, Charlie Haden, Sergio Mendes, and many others. Sprague has recorded fifteen albums under his own name and has lent his talents to over 120 other recordings, including the recent "Sombra" on the SBE Record label. Peter also is involved with producing many other artists. He runs a recording studio called SpragueLand and this is where you'll find him leading the role of producer, engineer, guitar player, and arranger. In May, 2002 Peter composed and recorded the soundscore for a KPBS-TV documentary on artist James Hubbell entitled "Eye of the Beholder." It has been produced into a DVD. In May 2002, Peter composed a twenty minute guitar concerto and performed it with the San Diego Symphony Orchestra. This was a big deal! Tripp Sprague - saxophone, flute, and percussion Ken Dow - bass Duncan Moore - drums Tommy Aros - latin percussion Tommy is a founding member of the band Fattburger, a international touring smooth jazz group based in San Diego, California. The group plays over 120 dates per year and has played in exotic locales such as Mexico City and Puerto Rico. The band has released seven albums, five of which are on the Intim- Capital record label . Their recordings have all charted in Billboard's top-ten with the Good News album going to number #2. Fattburger has also been very successful on the other charts, with #1 listings on both the NAC and MAC charts. Capital-Blue Note released the Best of Fattburger on 5/15/92. Coral MacFarland Thuet - vocals Coral has recorded on numerous albums and projects including vocals for Mexican superstar Luis Miguel and Andy Vargas, the vocalist for Carlos Santana. She also recorded a CD of Christmas music, Tidings of Comfort and Joy with pianist Randy Porter and two children's albums in Spanish and English Don't Wake up the Baby with children's music star David Jack. Coral has recorded and written many national jingles and has sung for movies, television, numerous albums and for the 1996 Summer Olympics. Some of the other acclaimed musicians she has performed with include Kei Akagi, Mike Wofford, Bob Magnusson, Joe Diorio, Mike Garson, Kevin Lettau, Barnaby Finch, and Peter Sprague. Coral is also a voice-over artist and has narrated several children's books and has done various other narration for films including the Ominimax film Ocean Oasis - a film about Baja California Sur produced by the Museum of Natural History in San Diego. Not only is Coral MacFarland-Thuet a talented singer, she is also a gifted actor who has performed major roles at the Old Globe Theater, San Diego Repertory Theater, and Centro Cultural Tijuana. She has recorded the musical lead parts for many theater productions including, The "Little Mermaid," "Beauty and the Beast," "The Wizard of Oz," "Anastasia" and "Sleeping Beauty." Some of the places Coral has recently performed at in San Diego include the US Grant Hotel, Loews Coronado Bay Resort, Coronado Marriot Resort, The San Diego Museum of Art, the Museum of Photographic Arts, La Jolla's Sherwood Auditorium and the Civic Theater. Leonard Patton - vocals While attending Mesa Community College, Leonard discovered his musical niche for jazz. Leonard's rich, smoky voice, unique style and sensational scattin' soon gained him entrance into San Diego's jazz scene. Since then this versatile vocalist has been performing and recording with such notable artists as Peter Sprague, Holly Hofman, Bob Magnusson, Jim Plank, Mike Wofford, Bill Cunliffe, Derek Nievergelt (Terence Blanchard), Duncan Moore, Kevin Hennessy, John Opferkuch, John Leftwich, Mitch Manker, Mike Bedard, Ken Dow, Rob Thorson, Chiara Civello, Jetro Da Silva (Whitney Houston, Stevie Wonder) and countless others. He then transferred to the prestigious Berklee School of Music in Boston, where he further developed his musical abilities and fed his passion for jazz. Finally, he finished his music training at Chapman University in Orange County where he performed in numerous concerts, recitals and jazz events. From Marley to Metheny, from Sting to Stevie - Leonard's influences have been vast and varied; thus encouraging a unique style all his own. With an extensive collection of jazz standards and samba tunes at his command, Leonard has been singin', stylin' and scattin' his way into the hearts of jazz and music lovers everywhere - born singin' and yet to stop. |
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